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Composer · Synthesist · Educator

Four decades of turning bold ideas into unforgettable sound.

Anthony Marinelli has worked across landmark records, films, television, and advertising—and now teaches the musical thinking behind that work.

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40 years creating
at the highest level
90+ original film
soundtracks
800+ advertising
spots
13 major creative
awards

The work behind the name

Music, technology, and instinct—always in conversation.

Anthony Marinelli’s musical touch is connected with some of the most influential creative minds of the last 40 years.

Equally at home writing large-scale orchestral scores and programming analog synthesizers, he has built a career on translating a creative vision into music that feels immediate, memorable, and human.

Anthony Marinelli working at a synthesizerAnthony in the studio

The beginning

At the center of the synthesizer revolution.

Anthony studied synthesizer with Clark Spangler and composition and piano at USC while pioneering live modular performance with his synth duo, The Synners.

After signing an artist deal with Tommy Boy Records, he found himself at the center of a new musical language—where circuitry, performance, and composition became one instrument.

Built through collaboration

In the room where lasting music gets made.

Anthony has recorded with artists including Michael Jackson, James Brown, Lionel Richie, Van Halen, Supertramp, Elvis Costello, Kenny Loggins, and Billy Childs.

His programming and performance work spans collaborations with Quincy Jones, Giorgio Moroder, Arthur B. Rubinstein, and Steven Spielberg.

The constant

From analog circuits to orchestra pits, the tool changes. The musical thinking doesn’t.

Across every screen

A body of work that moves between worlds.

Film, television, advertising, live performance, and the spaces where all four meet.

Film & television

More than 90 original film soundtracks, including Young Guns, 2 Days in the Valley, Internal Affairs, and Planes, Trains & Automobiles—plus the video-game score for Far Cry 5: Lost on Mars.

Records & artists

Recording and performance credits spanning global pop, funk, rock, jazz, hip hop, and experimental music—from Michael Jackson and James Brown to Billy Childs and Afrika Bambaataa.

Advertising & culture

Music for more than 800 advertising spots, including work for Apple and the iconic “This Is Your Brain on Drugs” campaign, recognized with Clio, AICP, ADDY, Telly, and Cannes honors.

Selected credits

A creative life measured in range—not repetition.

A cross-section of the artists, projects, collaborators, and honors that have shaped Anthony’s career.

Recording artists (selected)

Michael Jackson · James Brown · Lionel Richie · Van Halen · Supertramp · Cheap Trick · Elvis Costello · Kenny Loggins · Billy Childs · Dianne Reeves · Herb Alpert · The Crystal Method · Thievery Corporation · Afrika Bambaataa · Chuck D · Guru

Film & television (selected)

Young Guns · 2 Days in the Valley · The Man from Elysian Fields · Internal Affairs · Leaving Las Vegas · Planes, Trains & Automobiles · Demolition Man · Sliders · Santa Barbara

Creative collaborators (selected)

Quincy Jones · Giorgio Moroder · Arthur B. Rubinstein · Steven Spielberg · Leonard Slatkin · Los Angeles Philharmonic · Jada Pinkett Smith

Awards & recognition (selected)

Daytime Emmy Award · four Clio Awards · two AICP Awards · two ADDY Awards · three Telly Awards · Cannes Silver Lion

Press & referenceRead Anthony’s full biography

Anthony Marinelli’s musical touch is connected with the most influential creative minds of the last 40 years. He’s been heard as both composer and performer in every genre and style of music and is equally accomplished at writing large-scale orchestral film scores as he is at programming and performing analog synthesizers. Anthony’s intuitive personality combined with extensive musical training allows him to understand and quickly convert the vision of elite artists and directors into memorable music.

Anthony has recorded with a wide range of international music stars such as Michael Jackson (Thriller, #1 selling album of all time), James Brown, Lionel Richie, Van Halen, Supertramp, Cheap Trick, Elvis Costello, Kenny Loggins, The Crystal Method; jazz greats Billy Childs, Dianne Reeves, Herb Alpert, the Dirty Dozen Brass Band; Thievery Corporation, Afrika Bambaataa, Chuck D, Guru, Digital Underground, Julio Iglesias and Ozomatli; and international artists Seiko, Koreana, Falco, Sigue Sigue Sputnik and Adriano Celentano.

Marinelli has penned over 90 original film soundtracks, including Young Guns (box office #1), 2 Days in the Valley (Charlize Theron), The Man from Elysian Fields (Mick Jagger), Stephen King’s Graveyard Shift, Chapter 27 (Jared Leto), American Gun (James Coburn), The Human Contract (directed by Jada Pinkett Smith), Internal Affairs (Richard Gere), Leaving Las Vegas (Nicolas Cage), Timecode, Hotel, Planes, Trains & Automobiles (directed by John Hughes), Demolition Man and Let It Ride (Richard Dreyfuss). His work also includes the critically acclaimed documentaries Mayor of the Sunset Strip, River of Gold and Midnight Return, as well as the video-game score for Far Cry 5: Lost on Mars.

His programming and performance screen credits include Starman (Golden Globe nomination for Best Original Score); works by Giorgio Moroder such as The NeverEnding Story II, Over the Top and Cat People; the opening ceremonies of the Seoul Olympics and the FIFA World Cup; and the halftime show for Super Bowl XVII. He also contributed to film scores by Arthur B. Rubinstein, including WarGames (three Academy Award nominations), Blue Thunder and Stakeout. His numerous film scores with innovator Quincy Jones include The Color Purple (11 Academy Award nominations), where he worked alongside Steven Spielberg to develop the new “Polaroid” music mock-up technique that would become an industry-wide standard.

Marinelli’s television scores include Sliders, Angel Street, a live broadcast of On Golden Pond (Julie Andrews and Christopher Plummer) and Hick Town (Barack Obama). Marinelli won a Daytime Emmy Award for Outstanding Music Direction and Composition for a Drama Series for the television show Santa Barbara.

In his advertising work, Anthony has won four Clio Awards, two AICP Awards, two ADDY Awards, three Telly Awards and a Cannes Silver Lion Award for his musical contributions to television commercials. He composed the music for the famous This Is Your Brain on Drugs campaign and more than 800 other spots across nearly every advertising sector, including multiple campaigns for Apple, various technology and automotive brands, and countless celebrity spots.

His large-scale orchestral work, In the Family Way, was commissioned by esteemed music director Leonard Slatkin and premiered by the Los Angeles Philharmonic at the Hollywood Bowl.

The Anthony Marinelli Score Catalog contains more than 62 hours of Anthony’s film and advertising music in a myriad of colorful styles, available for immediate one-stop licensing.

During his early years, Anthony studied synthesizer through private instruction with Clark Spangler and majored in composition and piano at the University of Southern California while simultaneously pioneering the live performance of modular synthesizers with his synth duo, The Synners. Soon after, he signed an artist deal with legendary New York hip-hop label Tommy Boy Records. Anthony soon found himself at the center of the ensuing music-technology revolution.

He co-founded Levels Audio Post, integrating a new style of mixing music and sound for television on shows such as American Idol, The Bachelor, The Academy Awards and the MTV Video Music Awards.

Anthony was exposed to innumerable symphonies, operas, musicals and ballets at a young age while visiting his father, a stage manager at Los Angeles’ Music Center. There he met legends Charlie Chaplin, Frank Sinatra, Katharine Hepburn, Angela Lansbury, Carlo Maria Giulini and Zubin Mehta.

The experience became a method

Learn how Anthony hears, understands, and builds sound.

The courses turn decades of professional experience into clear, practical ways of thinking—so musicians can make deliberate choices instead of turning knobs and hoping.

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